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Jul. 7th, 2011

STAINED GLASS RELEASE!!!

OFFICIAL RELEASE DATE OF STAINED GLASS IS JULY 11 2011!

If you've pre-ordered a copy, it will be shipped out to you tomorrow (8 July). Remember to send me an email through the contact section of my website if you want your copy signed. If I don't get a message, I'll assume you don't want a signed copy.

If you haven't ordered your copy yet.... feel free to do so now: http://www.anyavioletta.com/page6.htm

I am excited (and terrified) that we've finally reached this point. My love to you all!

x Anya

Jun. 30th, 2011

Writing Injuries!

 A bit of extra advice for you all, on a different topic-
Don't write 24,000 words in one day (As I have done today- I wasn't lying before when I talked about my 'binge' habits. I can do nothing for months and then... a lot in one day).

Back to my point. Write that much, and you'll end up with RSI issues. About an hour ago, I had pins and needles in my hands, and now I've just got really sore/numb hands. Especially my left hypothenar eminence (thumb), which has kind of swollen up a bit...

Yes. That's right. You can INJURE yourself by writing too much!

Apparently, it's also quite common for writers to experience Carpal Tunnel Syndrome. I don't doubt I've at least got the beginnings of it. The tingling arms and issues with that part of my thumb are quite classic signs of the syndrome... I suppose years of playing the violin and piano haven't exactly helped my case!

So, moral of the story is this: Yes, sometimes we can get so involved and engrossed in our story's world that we can't bear to leave it and are limited only by the speed our fingers can type.
But, in order to write as efficiently as possible, you need those typing fingers to be fit and healthy... so look after them!

x Anya

Jun. 27th, 2011

Writing advice: Getting through a story

I’ve touched on this topic before on several occasions, but I really do get a lot of questions on it. Now that I’ve been dealing with a few issues of my own when it comes to finishing stories, I have a bit more to add on what’s helped me.

As you will notice, most of this is centred around planning. As I discuss my points, I hope you’ll see why:

1) Plan your plot
I feel I may have wrongly downplayed the importance of a good plan in previous posts. It is true I don’t like planning every minute detail of my story before I write it because I don’t want to inhibit any sudden bursts of plot twist inspiration that may grip me as I work through the story.

I assume all of you have read TGM, so I’ll use that as my example. In my original plan, Theo wasn’t going to come back, Anka never existed, and Helen was going to die somewhere in the end of Vol II. This was written in my ‘general plan’ when I first started TGM.

As I worked through it, however, I felt that her death wasn’t quite right and didn’t fit with Sirius’ character from the books (he was bitter, but not the right kind for someone whose ‘love of his life’ was murdered. As I reached closer to Helen’s scheduled death, I took some time out from writing and re-evaluated where I wanted the story to go. I slept on it, and the next morning I suddenly remembered Theo and was struck with the concept of her marrying him and everything that followed. As soon as I got up, I planned the rest of the story, which largely adhered to the revised plan.

Many of you probably think Theo was planned. What I’m trying to say is that characters you might add as ‘fillers’- like Theo, on revision, could end up playing quite a big role who add another dimension to your story, which will always begin in a rather 2D manner. There is one such character in Stained Glass. Initially, she had such a minimal role (those of you who read the first draft will probably notice this). Upon re-writing the story, I was struck by an idea which, again, added another thread to the plot line and changed the story quite significantly.

So don’t feel your story plan is a sentence. You don’t have to stick to it absolutely and, if you are struck with inspiration, GO WITH IT. Sometimes I’ve deleted scenes when I feel they’re taking the story in a bad direction or that my idea was a bit too extreme but, mostly, these whims are good.

Having said that, a plan is crucial because, if you have no idea where you’re going, it’s very difficult to carry on writing. I know, because I’ve got countless unplanned stories where I thought up a concept I like, didn’t other planning it properly, and started writing a chapter aimlessly. None of them have ever come close to completion.
The only stories I’ve ever written that have been completed are those that I’ve planned (quite extensively).

I like to have a few plans. One is a timeline of the plot with months and dates. You don’t have to include these dates in the body of your writing, but it’s useful for you, as the author, to have a timeline of your characters’ lives.

Next, I like to have a chapter-by- chapter plan where I jot down the main points I want to explore in each chapter. These are usually the vital points I need to cover for the sake of the plot -
i.e. (actual ‘chapter plan’ from a recent WbaP chapter)-
- Full Selene/Alphard explanation.
     o Al angry, blames death of mother on her, says he could never trust her gets angry
     o S doesn’t understand why he’s so angry- asks if it’s about kids
     o Ends worse than ever.
- Distraught, S goes to orphanage and decides she won’t have a man. She’ll adopt the girl alone and live happily. She does. As they are walking out of the orphanage, they are surrounded by Death Eaters who come to torture other muggles while Tom kills girl
- When T sees S, suddenly falters. S & T have very big mind conversation where S tells him he owes her this one girl and to spare them both. In front of the DE, T is torn. He says he’ll have to duel S to make it look convincing, but will give her & girl a chance to escape.
- While S & T are duelling, a DE kills the girl. T sees it first and tries to stop the DE before it happens, but it’s too late. S goes crazy and T has no choice but to either kill her, or capture her to ‘torture her for information’

If you’ve read the chapter this comes from, you’ll see I covered most of the points. What I almost never plan are scenes that are ‘fillers’, or comedic. I feel comedy should be something quite natural and if you plan it too much it makes it too serious. In such instances, I like to let myself go a bit and see where the scene takes me.

2) Plan your characters
And I mean REALLY plan them. No matter how much you plan them, they still won’t be so real to you until you really get into your story. Nonetheless, the more you know your character, the easier it is to write them- because you then have a clearer idea of who they are, and their voice carries strongly through your narrative. You don’t want to have several characters in your story who all have the same voice. The more distinctive your characters, the better.

Things to include in your character plan are birth dates, death dates (if applicable), appearance, talents and flaws, and personality. Compare them to characters from other novels/movies if you like regarding certain aspects (but not all, because you don’t want this character to be a copy of another’s, but your own).

Basically, form your character into a person. As a writer, think of your characters as real people. (But, as a person living in a society where psychiatric wards exist, refer to them as simply being ‘characters’!)

3) Put your story online
A few of you have expressed concerns about not being able to get published should you put your (original) story out there. Having spoken to other published authors on the matter, and even a few publishers… I can tell you not to concern yourself with that.

Many people read fanfiction online. Very few people read original fiction online and, if they do and you have a good response to your story… then that’s only going to work in your favour when it comes to getting an agent/publisher. If you can show them that your story is relatively popular and that there are people out there who are following your writing and loving your works, then they’re going to feel much more confident in signing you on than your being an unknown with a manuscript they like, but aren’t entirely confident will sell (and you never can be when it comes to publishing).

So I hope that’s answered qualms about the ‘publishing’ after publishing online issue. Honestly, it’s very easy to take a story off a website should you ever strike a deal.

Now, I think writing online is great because it gives you encouragement and criticism as you go. Also, if you’ve got a few people who are reading your work and expecting a new chapter, it can be a good incentive to keep writing. If no one is expecting a new chapter and you’re not feeling particularly inclined to write at the time… then your chances of finishing that story start to decline.

Obviously the flipside is that you might encounter negative comments which can also get you down and have the opposite effect of encouraging. Hopefully, your readers will offer you an actual reason for why they’re not enjoying a particular aspect of your writing. If many of them are saying the same thing, then they probably have a point and you should seriously consider having another look at that chapter/re-think where your story is headed. If it’s only one person’s opinion, take it on board, try to objectively see if you agree with them and whether you could change that aspect for the better. If so… that little sting of criticism might have done more good than harm in the long run!

Another little note people always mention about me is this- answer your readers! They’ve not only taken the time to leave you a review, but to read your work. For them to do that, they must have some kind of interest in you and your work… which is not only very flattering, but rewarding for you as a writer. There is nothing more inspirational and fun than discussing your own story and characters.

4) GET IN THAT ROOM!
I have to admit I never used to have any issues with writing until this year. For the previous 3 years, it would be a huge effort to LEAVE my computer and my characters. I was well and truly enamoured with writing and a day never went past without my writing quite a significant amount.

This year, however, the honey-moon period with writing seems to have faded a little. I’m not ashamed to admit it. It’s much like anything involving obsessive love- whether it involve a man, or another hobby. Eventually, that blind love disappears and you have to learn to love it even on days when you’re feeling a bit indifferent to it.

Very recently (i.e. the past few days) I’ve found myself writing a lot again. The only thing I can attribute this to is my spending significantly less time on Ask Anya where I finally put my foot down and decided to stop taking relationship questions.

It’s very easy to let distractions get in the way of your writing, which usually involves a computer. Sometimes life itself gets in the way- school, work, family, social commitments- and it’s important not to let these very ‘real’ aspects of life slide for the sake of writing.
But then there are some not-so-vital or necessary things we might let get in the way- like online sites such as Twitter, Facebook, Tumblr etc… which are all well and fun, but largely useless. Or maybe you watch too many movies or tv shows. I’ve been through that too. (If you really feel like watching a film, make sure you watch it on your tv, not computer. That way you can do a bit of writing with the tv on in the background… though it’s not ideal as you’re not completely involved in the scene).

Basically, you just need to get in your room (preferably away from family and friends) and start. Starting is always the hardest part of writing. Most people find that once they get into a scene, it flows very naturally and actually becomes enjoyable again… but you have to have the discipline to get yourself through that painful starting process to reach that stage.
.
I think those are my main points. There are only four, but I think they’re the most important… because, after you get in that room and are on that word document, if you’ve got a really good plan and know your characters well, writing is pretty easy. And it really is if you’ve put in the planning groundwork- so don’t overthink or overanalyse how to do it. It should flow through you naturally by this stage. Kind of like ‘connecting the dots’ … and that’s when it becomes really enjoyable and rewarding.

Hope that was useful!

x Anya

Jun. 26th, 2011

Kinky Sex

 So yesterday I had a singing lesson, as I usually do on Saturday mornings. To set the scene, my singing teacher, whom we shall refer to as Mr B, is a rather old (in his 80's?) man who is usually quite stern, strict and organised to the point that I highly suspect he is a bit of a control-freak. Those aside, he is a very good and respected teacher. (Quietly, I prefer someone who's going to spend the lesson telling me what I've done wrong so I can better myself as opposed to showering me with praise.... though it is always lovely to experience the latter!)

Usually, I arrive at my lesson, bleary-eyed and sometimes rather unprepared and five minutes late. I'll get there, he'll tell me off for being five minutes late (come on!), and then I'll get on with my lesson which will usually involve anecdotes of some concert he saw 50 years ago.

Now that I've given you an excessive amount of extra detail, let's get onto yesterday's lesson-

I, unusually, arrived at 10am, not 10.05am. He commended me for being on time, asked me about my week, and then I started warming up. After 15 mins or so, we started one of my arias called 'Batti, batti, o bell Masetto' (Beat me, beat me o dear Masetto).

This is an aria from Don Giovanni where, basically, this country girl- Zerlina's- fiance (Masetto) saw her with another man (Don Giovanni) and now refuses to look at her. Desperate to win him back, Zerlina sings a little aria telling him to beat her to punish her so he'll love her again.... but it's all done in a very seductive, loving and coercive way as she knows he would never hurt her. Kind of like an adult placating a child who's just thrown a tantrum.

I had to explain all that for you to get the following. Randomly, after I had just sung through the aria, my teacher says- 'It's like foreplay before sex'.
My eyes nearly bugged out of my head. I was so shocked to hear my teacher say something like that. All I could manage was an embarrassed 'Okay....'
He continued- 'Just a bit of slap and tickle'
I stared at him, wondering what on earth his wife had put in his morning coffee (Kardashians much?)
He didn't stop- 'Slap and tickle... have you heard that term before?'
I DON'T KNOW! HAVE ANY OF YOU HEARD THAT TERM BEFORE? I CERTAINLY HAVEN'T... MAYBE IT'S BECAUSE I WAS BORN IN 1990, NOT 1930!
I said I had never heard the term and wondered how long he was going to continue with this embarrassing and awkward topic.
He laughed at me and told me I should read more books.
I'm pretty sure that no book I'd ever choose to read would use the term 'slap and tickle'.

Thankfully, he asked me to sing the start again. I did.... but I wasn't off the hook yet. Oh no. He chose to return to it as he put away his score book-
'Zerlina, yes she's clever. And probably liked kinky sex. Kinky sex every night!' 
He then laughed and I just stared at him and probably laughed nervously. I don't know, because I think my mind has tried to block that horrific memory as best it can. 

Am I prudish? If I had a younger- or female- teacher, maybe it wouldn't seem so weird. I certainly have no qualms about discussing all forms of sex. The kinkier, the better! I really am very desensitised.

But, coming from my usually stern 80-something teacher... it just shocked me. It's kind of like having your grandfather talk to you about kinky sex, and then ask you to sing like you're suggesting it to him... it just felt so OFF!

Or maybe all musos are like that. Apparently my sister had a lesson with a German professor once, and he gave her some advice- 'Music is like sex. It should be enjoyable for both you, and the audience.' (But even that feels very tame compared to discussing forplay or, as Mr B calls it... 'slap and tickle')

Mmm. I don't know. Maybe it's just that I tend to inspire this sort of inappropriateness in men of the octogenarian category... 

x Anya

Jun. 23rd, 2011

Judgmental

Tonight I unfollowed someone on Tumblr for the first time (and by someone I mean a 'real' blog that isn't a viral porn one). They weren't posting vile pictures and, generally, I still think their blog is pretty cool...
But there were some posts on it that really shook me right up to the point that I clicked that 'unfollow' button (and, trust me, I love following lots of people).

I won't go into extreme details because this person deserves a right to anonymity, but she wrote about how her uncle had been in a drink/driving accident and was now a vegetable... and she felt absolutely no sympathy for him because he deserved it. Someone commented on her post saying that she had a mate who died in a drink driving accident and she refused to feel sorry for him.

So... this girl, her friend died, and she didn't care? Or the other's uncle is now a vegetable, and she feels nothing about it? What kind of people are we becoming?

I think it really incensed me partly because I encountered this sort of attitude all the time in hospital by doctors and medical students, and it really made me develop an unfair dislike towards the entire medical profession. It's this idea of the blame game. But none of us are perfect-

One of the cardiothoracic surgeons commented on how an overweight patient of his was wasting resources by getting a CABG (bypass) because it was his own fault that he was fat and his arteries were clogged up.... only, a few hours after that surgery, I saw him eating fried chicken at a lecture.

One of my peers said how she felt no sympathy for people in the respiratory unit if they had smoked, because it was their own fault for smoking. This girl without a doubt has an eating disorder. She had glandular fever, and still went to the gym on a daily basis. She refuses to drink milk and is so lacking in calcium that she chipped her front tooth eating museli and, last year, was so iron deficient that she had to have a blood transfusion. For a 'health snob', she doesn't treat her body well.

But, the thing is, I don't care- I don't hold it against that med student for having an eating disorder. She's obviously unwell and, knowing her, I think it might stem from her being a bit of a perfectionist. She has issues- that's fine. I accept them in her. 
Same goes for that surgeon. I don't care that he eats fried chicken, despite the fact it's deep fried in oil that's sure to clog his arteries. We all have our vices.

What I don't accept, however, is how these imperfect beings (which we all are), think they have the right to turn around and say that these people deserve what they got, and no one should feel any sympathy for them.

Who is to say that overweight patient didn't have problems of his own? Maybe he used food as an emotional outlet? Or maybe he was raised in a family that was uneducated regarding healthy eating habits and hence didn't know any better? Who is the surgeon- just because he's a surgeon- to judge?

And smokers? Most of them grew up in a time where smoking wasn't necessarily considered bad for you and, even if it was, every one did it anyway. Most patients I've ever asked about smoking WANT to quit and have tried many times. But giving up something you're addicted to is fucking hard. Shouldn't doctors, of all people, be sympathetic to that fact? We are, after all, the ones who are meant to be helping them. It's never just a disease. There's a patient there as well.

But it's not just doctors- which brings me back to those people on Tumblr. Don't get me wrong. Drink driving is BAD. I am all for the strict laws, and punishment for those who defy them. So I in no way condone drink driving. I think it's incredibly stupid, dangerous, and selfish because it not only endangers the drinker, but others on the road who are probably quietly abiding by the law.

It's one thing to say that, but then another to not feel any sympathy or remorse for someone who has died, or ended up in a coma because of a bad decision. None of us are perfect. We all have, at some point, done something wrong and, unfortunately, when you're blind drunk, your judgment of right and wrong are even more skewed.

It's one thing to accept what happened to them as being the consequence of that person's mistake. That's, I suppose, some form of natural retribution for their potential to seriously harm others. But are we so far from compassion that we can't rise above our own selfish judgment to feel sorry for that person? To pity them that they made that terrible and grave mistake in the first place? If this person was their FRIEND or FAMILY surely they, of all people, should be able to love them enough to at least give them that?

x Anya 

Jun. 18th, 2011

MU Review: Korres Lip Butter in Wild Rose

 

The fact I'm doing a review on here is kind of testament enough that I love this product. I purchased it the other week online, along with the Korres Wild Rose face and eye serum. I'd used the serum before (it's very lightweight, agrees with my skin beautifully, and gives me a really fresh and bright complexion).

As to why I felt the need to purchase this lip butter, I can't really say. I've got enough lipbalms, glosses and lipsticks to last a dozen womens' lifetimes. I honestly think I was in a splurge mindset and, after reading reviews and seeing swatches of  it, thought I'd give it a go.

And I can say, having used it for five days now, that I'm officially in love with it. I have very pale lips (especially in the morning), and that can make me look very tired and even a bit sick depending on how little sleep I've had. Often, I can't be bothered putting lipstick on- especially if I'm having a makeup free day. I'm also pretty bad at putting on lipbalm regularly- mainly because I don't like how a lot of them make my lips feel really cakey or sticky.

This really is the answer to my lip balm prayers. It gives me a perfect tint- reddens my lips up to give me a really fresh, healthy and lively rose tint that lasts for AGES (even after I've eaten). It looks completely natural (so would be great if you go to school/want a 'natural' look). More importantly, it's really lightweight to the point where it doesn't feel like I've got anything on my lips, yet leaves them feeling smooth, soft and plump.

I just leave it in my handbag and, apply it on my way out. It really makes quite a noticeable difference to my appearance. Because of it's shade, I'd say it could be used a cheek tint, though I haven't used it as one yet. I find I can only use powder blushes as creme tints tend to disagree with my skin.

Another pro is that it's a Greek brand (yay!) and I'm fairly sure they use all natural products, without the nasties you see in other brands. On the downside, Korres is by no means a cheap. But I'd very quickly chuck out every single lip product (excepting my 2 Chanel lipsticks) I own for this one. It's a keeper and, unlike all my other balms and glosses, I'm fairly sure I'll actually finish this one.

x Anya

Jun. 3rd, 2011

Pre-ordering of Stained Glass now available

 Just a little note to let you all know that you can now pre-order Stained Glass on my website :)

Pre-order Stained Glass

The shipment is due to arrive mid-late June so, if you want to secure your copy (hot of the press!) and ensure sure you don't miss out... pre-ordering is a good option =)

Also, if you want your copy signed, just send me a message on the website contact form and I'll sign it for you. Make sure to write your name, and if you want it addressed to you, or simply signed :)

That's about my news for now. It's a bit overwhelming that I'm at this stage now! But I'm so excited for you all to read it and get your reviews!

Lots of love,

Anya






Jun. 1st, 2011

Request: My 'Writing Process'

I use the term 'process' loosely because I really don't think I've got one. I've already done a post on writing advice, so I don't want this to turn into a repeat on that.

Basically, to write, I need a fair amount of time on my hands. I don't mean an hour a day. I don't work well in that sort of 'organised' manner. I need many hours in a row, because I'm the sort of person who takes a short while to develop a steady rhythm but, once I'm going, I get really annoyed if I have to stop. It's a bit like waking up in the middle of a dream- it leaves me disoriented and dazed for the rest of the day because I'm half in this world, half in my fantasy/dream world I've created.

So, summing up, I'm the sort of person who likes to just sit down and get it all done in one go. 'Binge writing', if you will.

I guess this can be reflected in the fact I haven't updated WbaP in 3 months (I will this week, I swear!). With work, and my big music commitments among other things, I've found it really difficult difficult to find a few set hours where I can just write non stop.

Another thing my job has really affected is my sleeping hours. I, in stereotypical writer fashion, like to work at night. Not just with writing, but everything. I'm productive at night, and am not a morning person at all! Unfortunately, getting up at 5am really hindered that little night owl habit.

Having said that, having all night isn't wholly important to me and my 'process'. What I need most is to be left alone. My least productive writing time is from 4pm- 10pm (when my family are around and active). Obviously when at uni I'll withdraw to my study to be alone which makes it less of a problem. 
This little trait drives my family nuts- especially my brother. I just get really really annoyed when interrupted- even if it's for something quick like a simple question or to help fold a sheet or two. 
I don't necessarily have to be completely alone (though it helps)- i.e. I can write easily in a cafe or a library- but I can't be interrupted. That's the difference.
But that's how it is. I just need to be left alone when writing.

Another thing I really need to write is a desk. I can't write properly sitting in an armchair or in bed (though I do, every now and then). If I want to take a break from the desk, I'll do something like a post on here/non-fictional things. 
I think the desk thing is more a comfort thing. Sitting down for many hours in a row can be pretty bad for one's posture and, after years of playing the violin, I can't say mine is the best. At least if I'm at a proper desk, I minimise the chances of being distracted by neck cramps. 

Music
Not essential, but does help me. As I wrote in my last request post, I like to make up playlists for my stories, and play them while I write (though I find I need earphones. Playing it through the laptop speakers distracts me for some reason). I have no issues with hearing a particular song on repeat if I find it works well as a 'soundtrack' to the scene I'm writing.

Bed
This one is going to sound strange, but most of my 'imagination' comes when in bed. Now, I don't mean through dreams. Quite the opposite. I've never taken any story inspiration from a dream. 
I'm the kind of person who doesn't like to get up straight away (or sleep immediately either). I like a bit of time to lie in bed and think... it helps clarify the day I've just had and, once that's been done, helps me think and visualise the next parts of my stories. Kind of like 'conscious dreaming', if you will.
The concept of Stained Glass came to me one such morning. 
Obviously,  simply lying in bed isn't a luxury I'm afforded often at all. But I like to make the most of it when I can (being sick is actually really good for my creativity!)

Distractions
Lately, Tumblr has been a VERY BAD distraction. Especially AA- which, while good that I'm helping others, has really taken too much of my writing time. 
I guess it's only become a problem this year because writing is what I'm meant to be doing (as well as music etc). All the other years, I was always meant to be studying... and I'd procrastinate that by writing!
Unfortunately, now that writing is what I'm meant to be doing... I feel the need to sometimes procrastinate it. But, again, it's not so much a lack of love for writing but really a lack of a good amount of time.


x Anya

May. 28th, 2011

Updates...

1/ I left my job

So I stuck it out for 6 months. There were numerous reasons for my leaving. The main one being that I'm going to be in an orchestra full-time over June.

But it was also exhausting, even with only a few shifts a week. 6 months into my gap year, I felt I wasn't getting the most out of my year off, so I finally made the move to leave.

I got a little teary on my last shift, though! They bought me chocolates and champagne! It certainly had its ups and downs as a job, but I did meet some really lovely people through it and it was definitely a very valuable life experience :)

2/ I've been ridiculously busy with music this past month.
Most of those committments are over (for now, until I join the orchestra!) Because of those commitments, I haven't been able to update anything as much as I would like. 

My top writing priorities now will be finishing WbaP, AJD and VmM. I'm going to have to cut down my AA work because it really swallows up a lot of my writing time.

3/ Pre-ordering SG

Should be available soon on my website. It's been a little bit of a pain setting up the online shop and I definitely want it all to be safe and secure before I make that option available... 

4/ The copies of SG are on their way to Australia. Let's all pray nothing happens to the ship!

5/  Ally's promo video for Stained Glass! 
She's made another one for me! Check it out and send her some love :)

http://www.youtube.com/watch?v=DP-TaLiw4BU&feature=channel_video_title

x Anya


May. 8th, 2011

Music & Writing

 As you all know, music is a huge aspect of my life. I have been playing the violin since I was 3, and spent much of my childhood practising as opposed to playing outside/doing kiddie things.

I quite honestly believe that my imagination comes from my music training. My teacher- being of the Russian school of playing and teaching- always gave me stories or story-like examples when trying to explain how something should sound. Instead of saying ‘start the piece very quietly,’ she would say ‘start the piece like the sound is very far away- with the feeling of a storm brewing.’

Having grown up with such examples, it was only a matter of time before I myself started creating stories to match my pieces and works. If you know anything about violin, my favourite piece is ‘Poeme’ by Chausson. I love this piece because it just stimulated my imagination more than any other piece. There’s just so much to it. I played it at 16- coincidentally, just before I started writing at 17.

I’ve told the story of how TGM came to fruition countless times- that it was ‘in my head’ for about 4 years before I put it in writing. In that time, I would go over specific scenes again and again until I got them write. Often, a song would inspire a scene- and then I’d listen to that song on repeat as it would form the soundtrack to that scene.
And I would listen to that song and visualise the scene again and again until I could see the entire scene (like a movie) condensed to the length of the song.
So, in a way, I worked backwards- starting with the soundtrack, and putting the writing/story to that soundtrack!

When I first started writing, it was actually quite difficult for me to write a scene without going through this process- and it was a very slow process because I had to visualise it all perfectly before I tried writing it down. So, for a good 7 months, I was writing TGM in such a way…

Most of those scenes have never been scene/ended up in the ‘deleted scenes’ file on ff.net. As I got more confident with writing, I found I no longer needed to do this process- but I did have a particular playlist specifically for writing and I had to hear it in that exact order or else things felt wrong. For certain chapters or scenes, I would just listen to one or two tracks on repeat as I wrote it all out (without needing the process of visualising it first… now, I simply write AS I visualise- it’s much faster!).

I was requested to write a list of my favourite songs/artists/albums. That was almost an impossible task- so I decided to tweak that request and post a list of songs that have really inspired me with my writing.

Now I want to be clear that while these songs inspire me to write, they don’t necessarily constitute my taste in music- there’s just something in them that clicked with me/got me thinking or sparked my imagination. In fact, I don’t really like a lot of the songs in the list as songs/wouldn’t listen to them for the sake of just listening to music.
There are many such songs that have inspired me, but I shall post the ones I remember as having the most prominent effect:

TGM:
1/ Everybody’s Fool- Evanescence (*one of the earliest inspirations)
2/ How to Save a Life- The Fray (*hugely important for the basis of TGM, in the original Helen being sick story that never survived to the actual version)
3/ Careless whisper- George Michael (originally the ‘soundtrack’ to the original Yule Ball scene which was actually the first scene I ever formulated for TGM!)
3/ Have Yourself a Merry Little Chistmas (when it came to writing the actual Yule Ball chapter- this is what I listened to)
4/ Once Upon a December (Anastasia soundtrack)- Also used for the Yule Ball scene
5/ Sanctus- Libera (more of a general song I listened to)
6/ One Night- The Corrs (the original TGM sex scene- not actually in the final version)
7/ Tonight and the Rest of my Life- Nina Gordon (actual TGM first sex scene)
8/ Will You Remember?- The Cranberries (the first TGM date)
9/ La Campanella- Liszt (Helen’s piano piece)
10/ Violet Hill- Coldplay (The later years/start of Volume 2)
11/ All Good Things Come to an End- Nelly Furtardo (the big split up in Vol 2- also the chapter where Voldemort nearly killed Helen)
12/ Allegria- Circe du Soleil
13/ Bleeding Love- Leona Lewis (Vol 3)
14/ Goodbye My Lover- James Blunt (Sirius’ death)
15/ Gloomy Sunday- Sarah McLachlan
16/ Could I Have this Kiss Forever- Enrique & Whitney
17/ Umbrella- Rihanna
18/ Unfaithful- Rihanna
19/ Lose Yourself- Eminem
20/ Turn Back Time- Aqua
21/ None Can Die- Tristan & Isolde soundtrack)
22/ Now We Are Free- Enya (Gladiator soundtrack)
23/ Song to the Moon- Rusalka
24/ Light Surrounding You- Evermore (Helen’s pregnancy)
25/ Diary of Jane- Breaking Benjamin
26/ Lay Lady Lay – Bob Dylan (initial move-in together)
27/ Wherever You Will Go- The Calling
28/ Knocking on Heaven’s Door- Guns n Roses
29/ The Hardest Part- Coldplay
30/ Zombie- The Cranberries
31/ La Vie en Rose- Edith Piaf
32/ Mon Amie la Rose- Francoise Hardy
33/ Forever Young- Youth Group
34/ Mondo Bongo- Joe Strummer (also the first date)
35/ These are the Days of Our Lives- Queen (final chapter of Hogwarts)


WbaP:
1/Samson- Regina Spektor
2/ The Call- Regina Spektor
3/ What Have You Done Now- Within Temptation
4/ Bad Romance- Lady Gaga
5/ 24- Jem
6/ Lithium- Evanescence
7/ Opheliac- Emilie Autumn
8/ Shallott- Emilie Autumn
9/ Let Go- Frou Frou
10/ Heart Shaped Glasses- Marilyn Manson
11/ Airplanes- B.o.B ft Haley Williams
12/ Love the Way You Lie- Eminem ft Rihanna
13/ Don’t Cry- Guns n Roses
14/ Welcome to the Jungle- GnR
15/ November Rain- GnR
16/ Lemonade- CocoRosie
17/ Turn it Up- Robots in Disguise
18/ The Tears- Robots in Disguise
19/ Space Dementia- Muse
20/ Venus in Furs- Velvet Underground
21/ The Man Who Sold the World- David Bowie
22/ Kashmir- Led Zepplin
23/ The Scientist- Coldplay
24/ Wild World- Cat Stevens
25/ Dog Days Are Over- Florence & the Machine
26/ Don’t Fight It- The Panics
27/ Hometown Glory- Adele
28/ Strawberry Gashes- Jack Off Jill (for Malkin’s descent into her eating disorder/drug problem- my own personal ‘bad’ song as well)
29/ Dorian Gray soundtrack
30/ Cats in the Cradle- Guns n Roses
31/ Marry Me- Emilie Autumn
32/ Grenade- Bruno Mars
33/ Judas- Lady GaGa
34/ Colourblind- Counting Crows

The Kick Inside:
The Kick Inside- Kate Bush (for the initial concept of the story)
Poison- Alice Cooper (for the majority of the story)

Stained Glass:
Now I know this is the one you’re all probably most interested in, but I actually can’t really remember many songs as really striking me in its conception-
- During the original draft, I know I listened to a lot of religious choral music such as Allegri’s Miserere, Mozart’s Requiem and Anuna’s Jarusalem
- By the end of the first draft, I think I actually listened to The Darkness (I know I was going through a phase of liking them)
- I also listened to a lot of MGMT and Adele that year

During the rewrite/first editing of it, I listened to the usual angsty mix of Within Temptation (mostly) and Evanescence
Honestly, I probably kept to a mixture of the TGM/WbaP soundtracks as they had become my writing soundtracks by that stage. I’ve actually lost my ‘Stained Glass’ iTunes playlist which makes this task of letting you know what my playlist was much more difficult….
Also, I find it hard to remember specific details from those years as I spent a lot of that time in a substance-induced haze. If I happen to remember specifics, I’ll put them up here.

This was a much longer post than I intended- but all the songs mentioned (and more I’ve forgotten) have played a small role in sparking my imagination in some way. Again, that’s not to say they’re my favourite songs to listen to- but they did play a small role in the conception of scenes/ideas in my stories.

x Anya

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